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acetate zero
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crestfallen
(arbouse)
return to this 2004 album of this highly underestimated french band (...)
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siberry, jane
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the walking
(dukes)
when just one song never seems to age, still perfect more than 20 years after this release (...)
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amman/josh
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places ep
(dynamophone)
a few instants of beauty and instrumental peacefulness (...)
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books, the
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lost and safe
(tomlab)
return to the second album of this wonderful american duo (...)
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it leaves, it leaves
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it leaves, it leaves
(perkunowa)
debut album of a belgian songwriter, mixing various indie influences and directions and offered for free on a netlabel (...)
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forms, the
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the forms
(threespheres)
back to the late nineties for an updated version of what bands like shudder to think, sunny day real estate, dismemberment plan or three mile pilot were exploring (...)
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repulski, graham
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man pop
(shorter)
as frozen in a glacier during 20 years, this songwriter seems to come from the same grounds as guided by voices or chris knox (...)
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enright house, the
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a maze and amazement
(a low hum)
mixing post-rock, electronic music and indie songwriting with epic and melancholic dimensions, this debut album is only convincing on a few tracks (...)
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photographic, the
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pictures of a changing world
(galaxia)
of course, it' typical instrumental post-rock, nothing really new, but with a flowing tension and a sense of (math-rock) concision on a few tracks that makes me euphoric (...)
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deupree, taylor
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shoals
(12k)
return to abstraction after a few more warm and seductive release, demanding and complex uneasy listening (...)
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vio/miré
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march 2007
(leisure class)
mixing ambient tracks with intimate melancholic indie folk ones, brendan glasson impresses deeply on this wonderful album (...)
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leap year, the
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with a little push a pattern appears
(hobbledehoy)
ex-braving the seabed, ex-minor ache, with this new project they explore nineties indie us guitar rock (...)
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bedhead
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beheaded
(trance syndicate)
return to this classic slowcore album and their second one (...)
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went
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how are you
(floorcollapsing)
interesting indie band from serbia, with good influences, but still searching a definite identity (...)
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owen
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abandoned bridges 7inch
(polyvinyl)
more of the same and i won't complain, one more nice song in his catalog! (...)
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balmorhea
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river arms
(western vinyl)
(too) beautiful instrumental post-rock compositions (to leave a mark) (...)
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conquering animal sound / debutant
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split 7 inch
(gerry loves)
two bands from edinburgh, with one of the two fitting perfectly with the intimate, melancholic & dreamy standard so much loved here (...)
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idaho
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the forbidden ep & alas
(talitres)
return to the re-release of these two idaho records from the late nineties (...)
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belong
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october language
(carpark)
while waiting for the release of their second album on kranky, let's explore once again their debut masterpiece (...)
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reaching away
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push away the moon
(mcmurtrey)
after a five years hiatus, the members of the pine are back with the electricity unplugged and a too typical folk album (...)
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travels
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the hot summer
(self-released)
self doubts of a reviewer about the second album of this amazing american duo (...)
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wind-up bird, the / colophon / 1 mile north
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conduction. convection. radiation
(music fellowship)
once promising act of a sensitive post-rock scene with two beautiful albums, 1 mile north deserted our hopes with this comet tail (...)
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s
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im not as good at it as you
(own)
new slowcore masterpiece for jenn ghetto ex-carissa's wierd, her third album (...)
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acetate zero
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civilize the satanists
(arbouse)
return to this album by the most underestimated indie french band (...)
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shedd, tracy
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ep88
(eskimo kiss)
great new ep from this american indie songwriter, a few delicious melancholic songs that would please fans of julie doiron or jen wood too (...)
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everyone everywhere
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everyone everywhere
(tiny engines)
technically and stylistically talented indie midwest emo band failing to bring something new the genre (...)
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van der saar
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red circle
(self-released)
an second album that could have been released during the nineties, indie songs with often a melancholic point of view (...)
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recommandé par derives
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